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Tag: film philosophy

July 2, 2026 Joni Gutierrez, Ph.D.

AI Cinematic Realism (Second Edition) — The Framework in Brief

The definitive overview of AI Cinematic Realism (Second Edition), from its author: the Ideational Frame, the three strata, the craft grammar, the four pillars of conscious assembly, the forty-point rubric, and intentional seeing — a complete working language for synthetic cinema.

May 30, 2026June 1, 2026 Joni Gutierrez, Ph.D.

AI Cinematic Realism (AICR): A New Language for Cinema — Video Guide & Slide Deck

AI Cinematic Realism (AICR) reframes the central question of synthetic images — from "is it real?" to "is it true?" This video guide and slide deck walk through the framework: the three strata of realism, the manifesto, and a practical field guide for making AI-generated cinema that feels true.

May 29, 2026May 30, 2026 Joni Gutierrez, Ph.D.

AI Cinematic Realism (AICR): A 12-Part Visual Framework for the Post-Camera Era

AI Cinematic Realism reframes the central question of AI-generated images — from "Is it real?" to "Is it true?" This article presents 12 typographic cards distilling the AICR framework: its three strata, manifesto principles, and commitment to emotional plausibility and accountable authorship in the post-camera era.

May 25, 2026 Joni Gutierrez, Ph.D.

AI Cinematic Realism (AICR): From Indexical Trace to Ideational Synthesis

AI Cinematic Realism (AICR) proposes a new framework for the post-camera era, shifting cinema's guiding question from "Is this real?" to "Is this true?" Grounded in embodied cognition and a lineage of realist movements, AICR defines synthetic truth through the Ideational Frame, Three-Strata Model, and accountable authorship.

February 8, 2026February 8, 2026 Joni Gutierrez, Ph.D.

The Latent Image — an excerpt from AI Cinematic Realism 

This essay reframes cinematic realism as a phenomenon of perception rather than indexical truth. Drawing on phenomenology and philosophy of mind, it explores how AI-generated images can feel real without referring to the world, and how realism shifts in an era of generative systems and posthuman authorship.

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