This essay traces the historical link between cinematic realism and the photographic trace—from the Lumière brothers to Kracauer and Bazin—then examines how AI-generated images rupture that foundation. It argues that AI cinema replaces indexical truth with plausibility, reshaping how realism and trust are understood.
A New Language — an excerpt from AI Cinematic Realism
This essay argues that AI Cinematic Realism introduces a new language for the moving image—one grounded in presence, affect, and authorship rather than photographic proof. It calls for cross-disciplinary collaboration to shape ethical, expressive cinema beyond deception and forensic realism.
AI Cinematic Realism: Establishing a New Field for Film, Philosophy, and Media
AI Cinematic Realism explores how artificial intelligence is reshaping the very foundations of cinematic realism. From Kracauer and Bazin’s indexical image to today’s generative platforms like Sora, Runway, Gemini, and MidJourney, this article argues for a new interdisciplinary field bridging film studies, philosophy, ethics, and media practice. It calls for collaboration to understand realism in an era where the real and the synthetic intertwine.